It is impossible to summarize Israel Finkelstein’s latest book, The Forgotten Kingdom, in a brief review because its numerous errors, misrepresentations, over-simplifications and contradictions make it too unwieldy. Specialists will know these flaws, since all of Finkelstein’s pivotal views have been published elsewhere. Here I can only alert unwary BAR readers that this book is not really about sound historical scholarship: It is all about theater. Finkelstein is a magician, conjuring a “lost kingdom” by sleight-of-hand, intending to convince readers that the illusion is real and expecting that they will go away marveling at how clever the magician is. Finkelstein was once an innovative scholar, pioneering new methods; now he has become a showman. A tragic waste of talent, energy and charm—and a detriment to our discipline.