Displaying 1 - 14 of 14 results
Rembrandt’s New Testament
Throughout his long and extraordinarily productive career, Rembrandt van Rijn (1606–1669) turned repeatedly to the Bible as a source of inspiration for his paintings, drawings and etchings. Although his composition, themes and pictorial style...
Bible Review, Spring 2005
Early days of New Testament criticism
More than two centuries ago, it occurred to a few European intellectuals that Jesus as a figure of history may have been quite different from Jesus as portrayed in the Gospels. With the awareness of that potential difference, the scholarly quest for the Jesus of history began. At that time and in...
Bible Review, October 1994
Pornography! This is the label some scholars give to the Song of Songs. They dismiss the book as nothing more than a source of lewd entertainment for the ancient male power elite. These lusty men slipped the salacious Song into the canon of Scripture by claiming it was only an allegory describing...
Bible Review, Winter 2005
During the Enlightenment, the historian’s job changed dramatically. It was no longer enough simply to chronicle events reported in earlier, authoritative texts. Tradition and authority had become suspect, as investigation and reason became the...
Bible Review, Summer 2005
About 40 scholars, all specialists in the study of the historical Jesus, are seated around a table. They have just completed their discussion of a saying attributed to Jesus in the Gospels. The time has come for each to vote on a simple but...
Bible Review, October 1989
To help us celebrate 20 years of BR, we asked the famous, beloved nun and art critic Sister Wendy to write about 20 of her favorite biblical (or Bible-inspired) paintings that have appeared in our pages over the years. Enjoy!—Eds. Biblical...
Bible Review, Anniversary Issue
To mainline New Testament scholars, it seems highly unlikely that early Christian scenarios about the future, wrong in their own time, might nevertheless be correct about some future time.
Bible Review, August 1994
The use of a sacrificial metaphor to interpret Jesus’ death subverted the role of the Temple: Its sacrifices were no longer the only way of dealing with impurity and sin.
Bible Review, April 1995
It is a terrible irony when the Book of Revelation is used not to comfort victims of oppression, as its author intended, but to justify violence against the innocent.
Bible Review, August 1995